Production Film Music

GARY BOURGEOIS

Very early in Gary's career, he mixed the Academy Award Winning film, "The Man Who Skied Down Everest". Gary was privileged to mix for Janis Joplin in "Janis".  By the time Gary was 24, he was touring with Bob Dylan and subsequently living at his house in Point Dume, which was also his first introduction to Southern California.  Still, Gary had been mixing features in Toronto but the lure of LA studios soon became too much and they could not be ignored any longer.  At first, Gary mixed at Ryder Sound for 5 years and then was hired at Todd A-O.  This new job was music to Gary's ears.  While at Todd A-O Gary had the honor to mix on one of the best stages in LA and was also promoted to Vice President in his tenure there.  In 2000 Gary moved to Sony Studios and opened the Lancaster Theater and subsequently the Quinn, also.  The Holden Stage was Gary's home the last few years at Sony and he really loved that room. 

SLAMM ANDREWS

Born and Raised in North County San Diego, Slamm has been recording and mixing music for himself and his friends since he was 14.  He attended college on a music Scholarship (performance in Tuba) with a Music Major and an Astrophysics minor.  After dropping out after a semester and 1/2 to go, he started building exotic cars for Vector Aeromotive.  After Vector Aeromotive imploded from bad investor relations, he went to Trebas School for the Recording arts. From there he got a gig at Freddie Piro’s studios (Momma Joe’s and Ocean Studios where he worked with artists such as 311 and Matt Sorum.   He also learned how to build Tube consoles and even restored Elvis’s tube console from Sun Studios.  Shortly thereafter, he was asked by 311 to tour with them which put him on the road for the next 2 1/2 years. While touring, he mixed other bands such as No Doubt, Offspring, Pennywise and Stone Temple Pilots.  In 1995, he heard that the new Star Wars films were on the horizon.  He contributed as an intern for Hans Zimmer and Jay in March, 1995.  He mixed Goldfinger and Big Fish albums, and his work was so impressive, he was offered a permanent position.  In this new role, Andrews recorded and mixed Broken Arrow.

TOM KRAMER

Contracting Musicians and vocalists

  • Complete musician and vocalist contracting, including filing and follow up

  • Hire musicians, vocalists and coaches

  • Execute and file union contracts

  • Liaison with accounting and payroll companies

Album Coordination and Management

  • In partnership with Manager/Consultant Kelle Musgrave

  • Create schedule

  • Full administration of project

  • Musician contracts, including AFTRA and AFoM

  • Collaborate with producer(s)

  • Create budget

  • Book studio and all related talent and support

Licensing

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